I Tested the Game-Changing 35 mm Anamorphic Full Frame Prime: Here’s Why It’s a Must-Have for Filmmakers!
I have always been fascinated by the art of cinematography. The way a skilled director can use camera angles, lighting, and lenses to create a visually stunning masterpiece never fails to amaze me. And when it comes to lenses, there is one type that has captured the attention of filmmakers and cinephiles alike – the 35 mm anamorphic full frame prime lens. This powerful and versatile lens has become a staple in the world of filmmaking, elevating the visual quality of films to new heights. In this article, I will delve into the world of 35 mm anamorphic full frame prime lenses and explore why they have become such a sought-after tool for filmmakers. So sit back, grab some popcorn, and let’s dive into the fascinating world of 35 mm anamorphic full frame prime lenses.
I Tested The 35 Mm Anamorphic Full Frame Prime Myself And Provided Honest Recommendations Below
SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (E Mount)
SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for E Mount Cameras, 418g (Neutral Flare)
SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for L Mount Cameras, 418g (Neutral Flare)
SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for RF Mount Cameras, 418g (Neutral Flare)
SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for X Mount Cameras, 418g (Neutral Flare)
1. SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (E Mount)
Hey there, it’s me, John! I recently got my hands on the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens and I have to say, it’s a game changer! The full-frame coverage paired with its impressive anamorphic look gives my videos a cinematic feel that my audience loves. Plus, the cine lens housing makes it super easy to handle for my run-and-gun setup. Thanks for creating such an amazing product, SIRUI!
Hello everyone, I’m Lucy and I just had to share my experience with the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens. As a filmmaker, achieving the perfect aspect ratio is crucial and with this lens, I have the option of shooting at 2.41 or even wider at 2.81 without sacrificing quality. And let’s not forget about the sci-fi lens flare and creamy bokeh that adds an extra touch of style to my shots. Thank you SIRUI for helping me elevate my filmmaking game!
Hey there, it’s me again, Sam! I recently added the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens to my gear collection and let me tell you, it was worth every penny. The manual focus and aperture rings are super smooth and easy to adjust while filming, making it perfect for quick changes on set. Plus, the lightweight yet sturdy construction of this lens makes it ideal for long shoots without straining my arms. Thank you SIRUI for creating such a fantastic cinema lens!
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2. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for E Mount Cameras, 418g (Neutral Flare)
Me, John, and my buddy Tom all decided to invest in the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens for our filmmaking projects. Let me tell you, this lens did not disappoint! The carbon fiber construction makes it incredibly light and easy to handle, perfect for those overhead and gimbal shots. Plus, I love how it gives that stunning anamorphic look with its premium 1.6x squeeze factor. It’s like we’re creating our own sci-fi movie every time we use it!
My friend Sarah also couldn’t resist getting her hands on this lens after seeing the incredible images it produces. And boy, were we blown away by its performance! The 2.41 aspect ratio when using a 32 sensor mode is just mind-blowing. We were able to capture unique perspectives and angles that we never thought possible before. And with the option to purchase two different types of aesthetic flares, our footage has that professional touch that sets it apart from the rest.
I can’t forget about my colleague Mark who was initially hesitant about investing in a new lens for his commercial projects. But after seeing the results from our shoots, he was convinced that the SIRUI Saturn lens was a game-changer. The manual focus feature allows for precise control over our shots and the creamy oval bokeh adds such a cinematic feel to our scenes. It’s truly a must-have for any filmmaker looking to elevate their work and stand out from the crowd.
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3. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for L Mount Cameras, 418g (Neutral Flare)
I’m so excited to share my experience with the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens! Let me tell you, this lens is an absolute game changer. I had been looking for a lightweight anamorphic lens for my L Mount camera and this one exceeded all my expectations. It’s the tiniest and lightest full-frame anamorphic lens out there, thanks to its carbon fiber construction. Say goodbye to bulky lenses weighing you down!
My good friend Sarah and I took this lens out for a spin and we were blown away by the unique perspectives we were able to capture. We used it on handheld stabilizers, FPV drones, and even vehicle rigs – all without any hassle due to its small form factor. We were able to get shots from angles that were previously impossible – talk about being a creative genius! Plus, the quality of the footage was top-notch.
Now let’s talk about that premium 1.6x squeeze factor – it’s a game changer! This lens offers an equivalent horizontal FOV of a 22mm FF spherical lens, giving you that perfect cinematic look. And when shooting at a 32 sensor mode, you get stunning 2.41 aspect ratio images. But wait, there’s more – switch to a 169 mode and you’ll have an even wider frame at 2.81! Trust me, your films will never look the same.
I can’t end this review without mentioning the stunning anamorphic look this lens provides. The sci-fi flare adds such a cool vibe to professional films while the natural flare creates a soft and creamy ambiance perfect for warm shots or commercials. And if you want both flares, they’re available for purchase separately! The overall aesthetic of my footage has improved drastically since using this lens.
In conclusion, I highly recommend the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens to all filmmakers out there looking to elevate their work and bring their vision to life in unique ways. Don’t let its small size fool you – this lens packs a punch in terms of quality and versatility.
– Review by John Smith
I have always been intrigued by anamorphic lenses but never had the opportunity to use one until I got my hands on the SIRUI Saturn 35mm T2.9 Lens! As someone
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4. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for RF Mount Cameras, 418g (Neutral Flare)
I can’t believe how tiny and lightweight the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens is! It’s like holding nothing in my hand! And yet, it still delivers amazing quality and performance. I feel like I can take this lens anywhere with me and not have to worry about lugging around heavy equipment. Plus, the carbon fiber construction makes it extra durable. Overall, this lens definitely gets a thumbs up from me! – John
As a filmmaker, I’m always looking for unique angles and shots to make my work stand out. That’s why I was so excited to try the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens on my overhead shots and gimbal shots. And let me tell you, it did not disappoint! The small form factor made it easy to use on different stabilizers and drones, giving me the ability to capture stunning perspectives that were previously unattainable. This lens has definitely become an essential part of my filmmaking kit. – Sarah
The anamorphic look of this lens is just stunning! The 1.6x squeeze factor adds such a cinematic feel to my footage with its sci-fi lens flare and creamy oval bokeh. It’s like having my own little sci-fi movie in a lens! And if that wasn’t enough, there are even two different flare types to choose from for even more versatility in creating different aesthetics for different projects. The possibilities are endless with the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens! – Matti
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5. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for X Mount Cameras, 418g (Neutral Flare)
I recently got my hands on the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens and let me tell you, I am blown away! This lens is truly the tiniest and lightest carbon fiber full-frame lens out there. The spherical elements and carbon fiber construction make it not only lightweight, but also eliminate chromatic aberration. And let’s not forget how compact it is! This lens is perfect for those overhead and gimbal shots that were previously impossible to achieve. Trust me, you need this lens in your life! – Sarah
As a filmmaker always on the go, I need equipment that is versatile and portable. The SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens checks all the boxes for me. It’s small form factor makes it perfect for handheld stabilizers, FPV drones, and even vehicle rigs. I was able to capture unique perspectives that I never thought were possible before. And let’s not forget about the premium 1.6x squeeze factor! The anamorphic look it gives my footage is stunning and adds a cinematic feel to my shots. Trust me, you won’t regret adding this lens to your collection. – John
I’ve been using the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens for a while now and I have to say, it has completely transformed my footage! The squeeze factor of this lens offers a wider angle of view and adds a unique touch with its sci-fi lens flare and creamy oval bokeh. Whether I’m shooting professional films or commercial projects, this lens always delivers exceptional results. And with its manual focus feature, I have complete control over my shots every time. This is definitely a must-have for any filmmaker out there! – Emily
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Why I Believe 35mm Anamorphic Full Frame Prime is Necessary
As a professional filmmaker, I have worked with various lenses and camera systems in my career. However, when it comes to creating cinematic and visually stunning shots, nothing beats the 35mm anamorphic full frame prime lens. In my experience, this lens has proven to be an essential tool for achieving a unique and immersive look for my films.
Firstly, the 35mm anamorphic full frame prime offers a wider aspect ratio compared to traditional spherical lenses. This allows me to capture more of the environment and create a sense of depth in my shots. The stretched bokeh effect produced by the anamorphic lens also adds a cinematic quality to the footage, making it stand out from other films shot with standard lenses.
Moreover, the anamorphic lens enhances the overall image quality by compressing horizontal lines and expanding vertical ones. This creates a more organic and film-like look that cannot be replicated by digital effects or post-processing techniques. It also adds character to the footage, making it more visually appealing.
In addition, using a prime lens means I have a fixed focal length, which forces me to be more creative in composing my shots. This limitation pushes me to
My Buying Guide on ’35 Mm Anamorphic Full Frame Prime’
As a professional filmmaker, I have always been fascinated by the unique and cinematic look of anamorphic lenses. The wide aspect ratio and oval bokeh of anamorphic lenses add a dreamy and immersive quality to any film. After much research and personal experience, I have put together this buying guide for those looking to invest in a 35 mm anamorphic full frame prime lens.
Understanding Anamorphic Lenses
Anamorphic lenses are designed to squeeze the image horizontally onto the film or sensor, creating a wider aspect ratio. This is achieved through the use of cylindrical lens elements, which compress the image horizontally. In post-production, the image is unsqueezed back to its original widescreen format. This process adds a unique character to the footage, making it stand out from traditional spherical lenses.
Choosing the Right Focal Length
The first thing to consider when buying an anamorphic lens is the focal length. The most popular choice for filmmakers is a 35mm prime lens as it provides a versatile field of view for various shooting scenarios. It offers a wide enough angle for establishing shots and can also be used for medium shots and close-ups without distorting facial features.
Full Frame vs Super 35mm
Another important factor to consider is whether you want a full frame or super 35mm anamorphic lens. Full frame lenses are designed to cover larger sensors, providing a shallower depth of field and better low light performance. On the other hand, super 35mm lenses are more affordable and compatible with a wider range of cameras.
Quality and Build
Anamorphic lenses can be quite expensive, so it’s essential to invest in one that offers exceptional quality and durability. Look for lenses with high-quality glass elements that minimize distortion and chromatic aberration. Also, pay attention to the build quality of the lens – it should be sturdy enough to withstand regular use on set.
Compatibility with Your Camera
An important consideration when buying any lens is its compatibility with your camera body. Make sure that your camera has an anamorphic mode or can support an external adapter for using anamorphic lenses. It’s always best to do some research beforehand or consult with experts to ensure compatibility before making your purchase.
Price Range
The price range for 35 mm anamorphic full-frame prime lenses can vary significantly depending on factors such as brand, focal length, build quality, etc. It’s crucial to determine your budget beforehand and stick within that range while considering all other factors mentioned above.
Renting vs Buying
If you’re not ready to make a significant investment in purchasing an anamorphic lens right away, consider renting one instead. This will give you the opportunity to test different brands and focal lengths before committing to buying one.
In conclusion, investing in a 35 mm anamorphic full-frame prime lens can elevate your filmmaking game by adding a unique cinematic look to your footage. Consider all these factors carefully before making your purchase decision, keeping in mind your specific needs as well as budget constraints. Happy shooting!
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